Amplifying Student Voice
“Students must have initiative; they should not be mere imitators. They must learn to think and act for themselves, and be free.”
“In education, student voice refers to the values, opinions, beliefs, perspectives, and cultural backgrounds of individual students and groups of students in a school, and to instructional approaches and techniques that are based on student choices, interests, passions, and ambitions. Generally speaking, student voice can be seen as an alternative to more traditional forms of governance or instruction in which school administrators and teachers may make unilateral decisions with little or no input from students.”
—Glossary of Education Reform, www.edglossary.org
Pedagogy of Confidence: Amplifying Student Voice
Situating Learning in the Lives of Students
Amplifying Student voice is framed by High Operational Practices are the fulcrum around which the “gifted” education of the Pedagogy of Confidence revolves, gearing the objectives for each practice to facilitate students exploring and acting on their potential to produce the high intellectual performances that can motivate self-directed learning, self-actualization, and self-transcendence. The inherent strategies and actions used to identify and build on strengths, provide enrichment and create schema that connects to a student’s cultural frame of reference inherent in “gifted education” serve to enhance comprehension that results in strengthened competence, confidence, resilience and high intellectual performances (Jackson, 2017).
On This Page
- The Purpose and Process
- Examples for Elementary, Middle School, High School and University
- Example 1: Installations on student interests in NPS high schools
- Example 2: Creating PSA’s of things that matter to the students in NPS high schools
- Example 3: Developing surveys on things that matter to the students
- More Examples to Scaffold From
Amplifying Student Voice focuses students on exploring, understanding and collaboratively sharing the purpose and methods of equity consciousness with peers as learners across all content areas. Amplifying Student Voice will use the critical thinking tools (HOPs) being implemented with the teachers to support student engagement.
The students will use the HOPs tools and skills to explore the guiding questions: How do we learn? Who are we? Who are we is relevant culture centered content that is reflective of the student’s respective diverse backgrounds. This provides teachers, staff and leadership a greater insight to the students as learners and who they are in creating and sustaining a successful learning experience.
Amplifying Student Voice focuses on using High Operational Practices (HOPs) with a grounding of current things that matter to the students, their learning community, their greater living community and globally.
The students will use critical thinking methods (High Operational Practices – HOPs) to determine how the purpose and methods of equity consciousness reflectively supports the learning. They will use critical thinking methods to develop how they will use video to document the how do we learn and who are we in their classrooms and schools. The HOPs critical thinking methods and strategies, many of them explained and modeled on this website include:
- Collaborative Communities are three supporting methods for a systemic structure for collective and individual success. These include: community building community exercises, collaborative learning methods and peer-to-peer coaching.
- Questions for Inquiry is the use of questioning methods to engage students in education and communities with dialogue. This includes effective methods for developing questioning skills leading to inquiry based discourse.
- Visual Tools for Mapping is a model for organizing and seeing thinking. This is both individually and collaboratively to understand patterns of thinking with different cognitive processes along with the frame of reference to understand different perspectives.
- Thinking Environments is an awareness, understanding and a process focused upon the design, interface and impact with the environment of the physical learning space including a person’s use of space, materials, objects and beliefs.
Examples of Student Voice Collaborations
Each of the examples below include an outline explaining the process, along with video when it has been documented.
- Example 1 in Multiple Redwood City School District CA Elementary Schools and Newark NJ Public High Schools: Using High Operational Practices to facilitate student depth of understanding, with their frame of references leading to student installations.
- Example 2: Mini video productions (Similar to Public Service Announcements) on topics developed and created by students on issues that matter to them.
- Example 3: Students learn and create surveys including development from their frame of reference, demographics, implementation and using results for pro-active positive outcomes with equity consciousness.
- Example 4: Students develop examples of media from their cultural frame of reference.
- Example 5: Students develop documentaries from their cultural frame of reference.
- Example 6: Students use art to explore their ideas.
“There must exist a paradigm, a practical model for social change that includes an understanding of ways to transform consciousness that are linked to efforts to transform structures.”
Using High Operational Practices to facilitate student depth of understanding, with their frame of references leading to student installations.
The sessions always begin with, and include within, community building exercises to facilitate student’s voices being individual and as a collaborative effort. Their cultural frame of reference is about relevancy and equity consciousness. The processes in the video clips below (Elementary, Middle School and High School Students):
- Community Building Exercises
- Powerful Questions (e.g. on ‘social justice’)
- Inductive Categorization of their Questions (modeled with a small group, then all do in small groups)
- Defining in Context with a Circle Map (Thinking Map®) for organizing thinking with the Frame of Reference) things that matter to the students. The frame of reference expands on the why and the how.
- Creating an installation at the school
- First the students are modeled with only using a pad of sticky notes, and writing utensils
- In modeling we pick one idea, consider locations to post and then dialogue how we might post an installation to have our message seen and heard
- It is helpful to model in the location of the modeling
- In small groups each group creates an installation on a social justice issue (if that is the initial powerful questions topic) that matters to them
- Installing the installations
- Gallery walk with the whole group to all the installations following the protocol:
- The creators of the installation provide a brief overview
- Positive observations
- Next installation
Elementary School and Middle School
More Examples for Redwood City School District
Example 2 – Mini Video Productions (PSAs – Public Service Announcements)
The goal with ‘mini video productions’ is putting a focus on how to create a very short video on things that matter to the students. The process includes:
- Community building exercise(s) that connect with the focus
- Powerful Questions on a topic to raise awareness
- Visual Maps to storyboard a video — e.g. using a Flow Map for sequencing the parts
- Collaborative learning methods — e.g. a fishbowl setting as an example
- Students in small teams create their videos
- We all watch their videos as a whole group (gallery walk)
Students learn and create surveys including development from their frame of reference, demographics, implementation and using results for pro-active positive outcomes with equity consciousness.
Amplifying Student Voice – Survey and More — November – December 2021
The Amplifying Student Voice goes virtual with students facilitated in multiple sessions with their voices on equity, virtual learning and the quality of their education a focus. Their learning and questions have included survey with their voices that is being implemented in December 2020 and January 2021. The video below provides a view of the sessions of with the students. Download the accompanying PowerPoint used with the students.
Video Credits: Thank You Students Grades 4-8 from Schools: Adelante Selby, Clifford, Garfield, Kennedy, Orion, Roosevelt
Facilitator and film editor: Robert Seth Price, NUA Senior Scholar; Linda Montes – RCSD Assistant Superintendent; Maria Sudduth – NUA Project Director: Whitney Eakin, Niffa Zuno – RCSD Coaches: Jesse Silverman, Art Educator; Stefanie Rome – NUA Senior Scholar.
Student Voice – HOPs with Surveys
Newark Public Schools, NJ High School – February 2021
PowerPoint presentation used for an interactive 90 minute sessions with Bard High School student groups. There were two sessions using NUA HOPs with critical thinking tools to explore their ‘voice’ leading to the importance (and doing) the creation of surveys learning that development guides the perspective.
- grade 9-10 (130 students and seven observing educators)
- grade 11-12 (70 students and seven observing educators)
Students develop examples of media from their cultural frame of reference.
This example has students exploring the impact of vocabulary and images are impacted by dominant histories. This explores both the text and use/non-use of images. The first example comes from multidisciplinary artist Alexandra Bell:
Alexandra Bell is a multidisciplinary artist who investigates the complexities of narrative, information consumption, and perception. Utilizing various media, she deconstructs language and imagery to explore the tension between marginal experiences and dominant histories. Through investigative research, she considers the ways media frameworks construct memory and inform discursive practices around race, politics, and culture. In her current series, Counternarratives, Bell edits New York Times articles, altering headlines, changing images, and redacting text to reveal oppressive patterns in news reportage and society at large. Her work has been exhibited at MoMA PS1, We Buy Gold, Koenig & Clinton Gallery, the Nathan Cummings Foundation, Atlanta Contemporary, and Usdan Gallery. Bell holds a BA in interdisciplinary studies in the humanities from the University of Chicago and an MS in journalism from Columbia University. She lives and works in Brooklyn, New York.
ReWriting the Headlines from Our Perspectives
Using the video by Alexandra Bell
- Watch the video of the artist Alexandra Bell (below)
- Read a Story in from an Online News Source
- Mark up like the artist Alexandra Brown
- Create a new headline
- Post your new headline (online or in a physical space)
What is Seen and Not Seen: Where is Our History
Hundreds of stunning images from black history have long been buried in The New York Times archives. None of them were published by The Times–until now. UNSEEN uncovers these never-before published photographs and tells the stories behind them. This is not exclusive the The New York Times archives — this is how dominant history dominates the way history is seen.
Using the book Unseen:
- Use one photo in the book and text
- Respond to the scenario
- Recreate in a current scenario
An example from the book Unseen is the image and text below from Unseen:
Read the last sentence about the image at the left was not published, instead one of the men not shaking hands was published.
Students develop documentaries from their cultural frame of reference.
The following three videos document sixth grade students at Roosevelt Elementary School in North Long Beach, CA documenting what is important to them at their school. This was after the school was documented about their implementation of Thinking Maps throughout the whole K-6 school.
HeArt Project Documentary Film
The HeArt Project, an out of school program that creatively links teenagers attending alternative high schools work with professional artists in workshops, public presentations, residencies, and scholarships. Directed & filmed by Robert Seth Price with filming and editing by Charles T. Jones.
This is an excellent example of how documenting an organization and its’ process tells the story.
Landmarks of a New Generation
What is the rationale for conservation in a world driven by change, by an astronomical energy to produce, consume, and develop, then destroy the old to make room for the new? What is the value of place and permanence to an increasingly mobile citizenry with mixed ethnic and cultural identities and cross-historical memories? Should conservation move from being object or site-specific to being human-sensitive? Should it shift its mental grammar from the past to the present? And how should it manage change-preserving the past while helping to create the future?
The Landmarks Campaign of the Getty Conservation Institute (GCI) is a search for answers to these questions and an experiment in thinking about the future of conservation through different voices and fresh perspectives. Born from a Los Angeles community-based GCI project and publication named Picture L.A.: Landmarks of a New Generation the campaign has grown into a grassroots initiative conducted in Cape Town, Mumbai (formerly Bombay), Mexico City, and Paris. In each project the Institute has asked youths of diverse ethnic and socioeconomic backgrounds aged 10 to 18 to photograph personal landmarks as well as designated heritage sites and to comment on the landmarks’ relevance to their own and other people’s lives. Each project culminates in a local exhibition, accompanied by a book and a short video.
Students as Teachers; Students and Teachers Professional Development Together
When Students Become Teachers
The National Urban Alliance’s radical but refreshing approach to involving students in teacher professional development is featured in this CNN news feature, which was hosted by CNN education contributor Steve Perry and broadcast on Anderson Cooper 360.
Students as Leaders of Change
Presenting, Dialogue, Reflections Forward Including with Parents